Canon EOS-1D X Mark III
The successor to the EOS-1D X Mark II flagship pro DSLR respected by sports and wildlife photographers the world over. Featuring a high resolution AF sensor and advance deep learning AF algorithms.
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Teahupo'o in Tahiti, French Polynesia, is known as the most dangerous break in the world. With huge, powerful and fast-moving waves breaking over a coral reef just below the surface, it's the ultimate professional surfing challenge. Documenting the action is just as difficult, requiring incredible athleticism and photographic talent. It was here that world-leading underwater surf photographer Ben Thouard carried out the first pro shoot with the Canon EOS-1D X Mark III.
Ben has called the idyllic South Pacific island of Tahiti home since he moved from France aged 22 and made documenting the oceans his life's work. He shoots surf events for clients and magazines across the world and continues to seek new ways of shooting waves, which he shares with his 200,000-plus Instagram followers and has published in 2018 book Surface.
"When you're swimming, you have to fight the elements and the current to put yourself in the right position for the right movement," he says. "When the action happens, it's fast, so shooting from the water is definitely a challenge, but that's what I love – it's never the same."
Covering unpredictable action, while also moving himself, Ben needs his equipment to be reliable and fast, and typically uses the Canon EOS-1D X Mark II. On this dynamic shoot, he photographed talented young Tahitian surfer Kauli Vaast from multiple perspectives from the back of a boat, from his jet ski and in the water, using the Canon EOS-1D X Mark III.
Some of Ben's most eye-catching photographs are taken from inside rolling waves, which he captures through careful co-ordination with his subject and using a wide-angle Canon EF 8-15mm f/4L Fisheye USM lens with his camera protected in underwater housing.
"The goal is to be in the barrel of the wave with the surfer at the right time," Ben says. "It's a team job as you're trying to put yourself in the position where you predict the wave is going to break and where the surfer is going to pass. For surfing photography, where we're very close to the action, a fisheye lens is amazing – you're able to capture the whole scene. There is no straight line in the ocean except the horizon, so it brings out details of the wave."
With such high-octane action, there are mere milliseconds to get the shot, making the Canon EOS-1D X Mark III's high frame rates – 16fps when using the viewfinder and an incredible 20fps in Live View mode – absolutely essential for Ben.
"As an action photographer, being able to shoot up to 20fps is just amazing," he says. "It's a game-changer, and the highlight of this camera for me. Now instead of having one good frame, I can choose between two, three or maybe even four frames. It's definitely a new thing in action photography.
"For any sports photographers who need to capture a sequence or a certain moment of the action, instead of having to shoot thousands of photos to capture the right angle or position of the athlete, 20fps allows you many more possibilities to choose the frame you need – it's almost like a video."
In order to get unique angles, Ben favours shooting from the water. "If the conditions are really clean, I'll be in the water as much as possible, because shooting from the boat or beach can look the same after a while," he says. "If it gets rough and waves are breaking everywhere, then I'll shoot from the boat or jet ski."
When he's on the water in big waves, he uses telephoto zoom lenses such as a Canon EF 70-200mm f/2.8L IS II USM and Canon EF 200-400mm f/4L IS USM Extender 1.4x lens. "It's great to be as tight on the surfer as possible, so you can have details of their face, their board and the waves," Ben says. "The Canon EF 200-400mm f/4L IS USM Extender 1.4x lens is awesome because of its zoom range and built-in converter, so you can switch it and have almost 300mm to 600mm."
Ensuring he gets clean, crisp images of action while in motion himself asks a lot of Ben's equipment. "If I'm on my jet ski, moving on the water with a lens at 600mm, I'm going to be pointing my camera at the action at the last second, so I need it to be very responsive. That's where the Canon EOS-1D X Mark III is amazing, because it focuses fast and tracks all the way."
With a brand-new high resolution AF sensor in the Canon EOS-1D X Mark III, advanced AF algorithms offer unparalleled focus tracking. In Live View and video, the Dual Pixel CMOS AF offers 525 AF areas. "Even if the surfer doesn't move into the frame, it will still track them, which is a definite improvement. The focus is amazing, even if you're shooting on a 600mm lens on the water, on a moving boat, and you're shooting surfers that are moving too."
With a new Canon CMOS sensor and powerful DIGIC processing, the Canon EOS-1D X Mark III offers even greater levels of image quality across both stills and video. It's something Ben noticed when he looked at the data of the files he was processing, with detail captured across the wide dynamic range from the dark ocean to bright white clouds and foam.
"Tahiti is tropical, so there's very strong sun," he says. "I shoot a lot against the sun at sunset and sunrise – very hard conditions for the camera, with a lot of shadows and highlights in the same frame. I noticed the camera captured more information than the Canon EOS-1D X Mark II – there's a lot more registered by the sensor in both highlights and shadows."
Ben was also able to experiment with the camera's video capabilities, shooting clips of surfing and waves both above and underwater in 4K at 60p. "I mostly tried the slow motion, also shooting at 1080 Full HD at 120fps," he says. "That feels amazing – I think that water movements shot in slow motion are so much better. At 4K the video was also capturing a lot more information in the highlights and shadows."
The shoot also gave Ben a chance to experiment with using the Live View mode. "I've been so used to looking through the eyepiece, but when you're wearing goggles or have the camera in underwater housing, it's hard to frame through it, so being able to switch to the Live View mode on the back screen is a great option."
After putting the Canon EOS-1D X Mark III through his regular photographic demands, Ben was left with no questions. "In all the crazy conditions I work in, I want to make sure I have the best equipment available," he says.
"I'm sometimes waiting all year for the right conditions, so when they come, I want to capture everything without being restricted by my camera. The Canon EOS-1D X Mark III is definitely the one for me, because I'm sure to have one of the best cameras available."
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The key kit for pro action photography
The successor to the EOS-1D X Mark II flagship pro DSLR respected by sports and wildlife photographers the world over. Featuring a high resolution AF sensor and advance deep learning AF algorithms.
An L-series fisheye zoom lens offering a choice of full frame or circular image and a wide angle of view.
The successor to the Mark II that Ben used, this is a favourite telephoto zoom lens with photographers of every kind.
A professional grade f/4 lens with a built-in 1.4x extender for huge flexibility and focal range for sports and wildlife.
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